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How to Know When Your Organization Needs a PSA

When was the last bullhorntime you had your broadcast interrupted for an important public service announcement or PSA? When was the last time you did the interrupting- either for your own cause or on behalf of a client? If you are doing public relations outreach especially for a non-profit organization, public service announcements when done right, can be a great way to spread the word about your cause.

I spoke to Dan Lyons, an expert in PSA production, to get insight on how to create a PSA and when. His firm has created award-winning PSAs for national non-profits, federal agencies and trade associations. Here Dan shares his experience with PSAs.

Mopwater: What is a radio PSA and who needs one? DL: A PSA or public service announcement is a tool to generate awareness, educate the public about important issues, and encourage positive behavior. In our case, the platform for these messages is radio, so our PSAs are geared to engage radio listeners.
Radio PSAs tackle a variety of topics, including consumer safety, education, health, environment, family, etc.  They’re an ideal communications tool for non-profit organizations, trade associations or federal agencies that are striving to reach core audiences with key information and raise awareness for a cause.

Mopwater: What considerations should an organization or company make before developing a radio PSA campaign? Should they hire a professional copywriter or voiceover? DL: If an organization chooses to develop and produce a radio PSA on their own, there are several factors to keep in mind. First off, they need to be mindful about their intended audience—are you trying to reach a certain demographic, a certain region, or are you creating for general appeal.

Next, while the overall concept of a PSA campaign can be utilized across a variety of media platforms, radio PSAs need to be created for the ear.  With radio, you don’t have visuals to capture the attention of your intended audience. You must capture the listeners’ attention, set the tone, and provide a reason to keep listening within the first 5-10 seconds of a PSA. This can be accomplished with a strong script, distinct voices, various music beds or sound effects. For example, one of our PSAs begins with a middle-aged man with obvious angst in his voice stating, “My son was drinking too much…” accompanied by dramatic music. Instantly, the scene is set. On the opposite side of the spectrum, one of our PSAs features the sound effect of a toilet flushing in the first few seconds (nobody said writing PSAs couldn’t be fun.) Very different approach, similar results. Both PSAs have educated listeners and received thousands of airplays on radio stations around the country.

Radio PSAs must be broadcast quality, top-notch productions, and ready for air. Professional voicetalent is highly recommended. Unless you have a recognizable voice (aka celebrity or public official) or someone within your organization with a “voice for radio,” professional voice talent can lend instant credibility to your PSA campaign. Copywriters can also be helpful, and if you attempt on your own, you need ensure that you’re “writing for radio.”

Other radio PSA tips–PSAs should be evergreen, and scripted so they are relevant for a period of at least several months.  Offer different timed versions of your PSA, the most common being :60 seconds and :30 seconds. Provide scripts of you PSA for live DJ reads and offer PSAs with a “donut” where stations can add their own local information.

Mopwater:
Do you have any statistics about responses to radio PSAs? How do you know that they’re effective? DL: On average, our national radio PSA campaigns receive airplay in over 100 markets around the country, and reach millions of listeners. Radio reaches 90% of the U.S. population 12 and older each week, and 4-out-of-5 adults listen to the radio in their car each week. Radio PSAs are a cost-effective and high-impact tool to reach out to these listeners and motivate them to take action.

For many of our PSA campaigns, as soon as it begins to air, our clients begin to see spikes in their website traffic, and an increase in calls if a toll free number is provided.
However, the impact of certain types of PSAs can be harder to measure because they encourage an on-going change in behavior, as such is the case with our PSAs encouraging designated drivers. But we do know that as drunk driving fatalities decline, our PSAs are playing a part. I always like to think that if a PSA stops just one person from drinking and driving, and saves a life, it’s effective and worthwhile.

Further, online radio listenership is at an all-time high, one in five Americans aged 25- to 54- years-old listen to online radio on a weekly basis. This greatly benefits our campaign because PSAs are often used in heavy rotation on radio station online streams.

Mopwater: In your experience, what characteristics make for a really effective radio PSA? DL: Here’s part of the reason I’m passionate about PSA campaigns, and really enjoy working with the Lyons PR team on creating them. There are no strict rules or guidelines for what constitutes an effective PSA. Successful PSAs can be straight reads with no music beds or sound effects, while others are mutli-track productions, heavy on both. Above all, an effective radio PSA will clearly communicate a message or cause, and successfully educate listeners and prompt action.

One of our most successful PSA campaigns aired over 37,000 times around the country and earned us a PRSA Bronze Anvil award. It was also the most unconventional PSA we have ever produced. In homage to the classic movie trailer, we produced a radio PSA complete with the “deep voiced movie trailer guy” and the dramatic choral music. The subject was tire safety, but presented in this manner, it effectively engaged the listener and prompted positive behavior, in this case, checking tire pressure.

Mopwater: If a company is in the middle of a communications crisis, for example the recent Toyota recall, is that a good time to produce and run a radio PSA campaign? DL: PSAs need to be totally non-commercial, so it wouldn’t be an outreach tool a company would use for crisis communications.  To effectively integrate radio into corporate crisis communications outreach, radio media tours or radio news releases are the best way to disseminate information quickly and get a spokesperson on the air.

Mopwater: What is the ultimate goal of a PSA? DL: The goal of a PSA is to influence positive behavior, educate listeners about important issues or a cause, and stimulate action. Ultimately, a PSA can be the first step in engaging listeners to take action, whether it’s changing behavior in their every day life or visiting a website to learn more about a cause.

Mopwater:
In what instances should an organization NOT do a PSA? DL: If you’re trying to sell something or promote a brand—do not do a PSA. This would be a waste of time and money, and stations will not air.  And if you need the information to air quickly, for a very limited amount of time, a PSA would not be the right tool.

Dan Lyons in Founder and CEO of Lyons PR, a public relations firm based in Kensington, MD right outside of Washington, DC.

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Posted in How to Pitch : Getting Media Coverage0 Comments

3 #DC Area #PR Pros for Hire:: #HAPPO and #HAPPODC Edition

hire-meEmployers: if you’re looking for a PR pro in the Washington, DC area, here are 3 great people for you to check out. Two are quite experienced, one is entry-level, all have quite interesting stories and can be reached via LinkedIn and Twitter.

Keshia Holland- @Justblue73 or on LinkedIn

12-years of experience in public relations

From Keshia:

A little over a year ago, I fell in love with Washington, D.C. and have been searching for the perfect opportunity from the moment I hit 295 and drove north home.

I am a dynamic communications professional with more than twelve years of public relations experience targeting consumer, trade and internal audiences across a wide range of industries including technology, state lotteries, consumer goods, architecture, fashion/beauty and home/remodeling with a focus on communicating green and environmentally-friendly initiatives. In addition to understanding the basics of traditional public relations, I have a keen grasp on new media and leveraging social media outlets to increase brand awareness.

After working on the agency-side for the past six years, I would love to get back on the client-side in the DC Metro area. In an ideal world, my next position to be in government or possibly a non-profit that focuses on sustainable building or communicating the benefits of environmentally friendly practices.

Byron Johnson @byron_johnson or on LinkedIn

13 Years Experience

From Byron:

Why hire me?  Because for 13 years I’ve excelled in the areas of media relations, public affairs, event planning, marketing communications, strategic planning, crisis and issues management and political advocacy. I’ve launched nation-wide health care initiatives and grassroots organizational structures for companies from the ground up.  I’ve had the pleasure of working with chief executives to address crisis issues and turn potentially damaging incidents into educational moments on a national stage.  With experience working in healthcare, transportation and the environmental sectors, I work extremely well under pressure, and am a pro at handling multiple projects with competing deadlines.

For more information about my background, please click here  or connect with me on Twitter @byron_johnson.

I once successfully partnered with pizza restaurants during SuperBowl week to promote awareness of available diabetes education and resource materials.

Jaclyn Randolph @jaclynrandolph or on LinkedIn

Entry Level

I met Jaclyn on Tuesday night at the DC Flacks HAPPO Hour and I can tell you that she has a great personality and disposition. She is starting her PR career after relocating to the DC area. Her PR experience is in the restaurant and hospitality sector and she says she would love to land a full-time position working in the hotel and/or hospitality PR industry.

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Posted in Get Hired : PR & Social Media Jobs0 Comments

Raise Your Profile to Accelerate Your PR Career

Corrie_Winner

Let’s face it: awards and speaking opportunities can easily raise your profile and get you as a PR professional added visibilty. Visibility can set the services of your firm apart to potential clients, or accelerate your career.

For those of you looking to take your career to another level this year or next, maybe it’s time to apply for an award from PRSA. If you’ve got a stellar campaign or project you worked on in the past year, check out the Bronze Anvil Award. If you don’t have an Anvil-worthy project, not to worry. PRSA has a great opportunity for practitioners with deep subject matter expertise to present at the upcoming international conference in Washington, DC this October. If you’re a social media guru or knower of all things crisis comm, why not put together a proposal to present? The deadline has been extended.

Public Relations Society of America October International Conference Presentations-February 23

Due to severe weather conditions in many parts of the United States, PRSA has extended the Call for Presentations deadline to February 23.

Showcase your strategies, theories, ideas, research and results at the most dynamic gathering of public relations professionals in the world! This is your opportunity to share your expertise and network with thousands of Conference attendees while enhancing your leadership profile in the public relations community. Join us in Washington, D.C., October 16-19, 2010, and experience the excitement, the power, the people and the places of a true capital city. Combine that with the best professional development, influential speakers and networking opportunities, and you’ll be “Powering PRogress.”

PRSA is seeking expert speakers. Are you a public relations or marketing communications professional, educator or expert in a related field — CMO, CEO, CFO, economist, social scientist, futurist, management consultant, journalist, blogger, technologist or editor? Are you a specialist in social media, public affairs, sustainability, design, or research and measurement?

Public Relations Society of America Bronze Anvil Awards-March 12

From the PRSA Web Site:

Recognizing Tactical Excellence

PRSA’s Bronze Anvil Awards annually recognize outstanding public relations tactics — the individual items or components that contribute to the success of an overall program or campaign. These tactics — whether a media relations program, Web site, annual report, podcast, blog or use of social media or word-of-mouth — are the hardworking parts of any public relations program.

Now in their 40th year, the Bronze Anvil Awards celebrate the “best of the best” in public relations tactics, reflecting their growing scope, creativity and importance in strategic public relations. Learn how you can gain industry recognition by entering and winning a PRSA Bronze Anvil Award.

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Posted in Biz Tips and Marketing Tools : PR 2.0 Toolbox2 Comments

Test Drive My Job::Santa Monica-Based Literary Publicist Grant Turck

Grant Turck - Corporate HeadshotGrant Turck, 26

Santa Monica, CA

Literary Publicist, Manager and Producer

Velocity Management, 5 years

On the Web: grantturck.com

LinkedIn: in/gturck

Twitter: @grantturck

Mopwater: Describe your path to PR. How did you wind up in this field? GT: It was during a successful campaign to start a GSA at my public high school in Cincinnati, OH that I first taught myself how to write and format a press release.  I was drawn to the power of the press and its ability, when properly managed, to effect positive change.  In short, I was intrigued.  After graduating, I moved to Malibu, CA and attended Pepperdine University where I majored in public relations.  Although still a student, I began to utilize the PR skills taught to me in the classroom by leading a campaign to form an official student organization on campus called Students Against Homophobia, which garnered coverage in The Los Angeles Times, LA Weekly and Cincinnati Magazine.  It was also in college that I started a public relations consultancy called Rath Relations (clients included Johnny Rockets and Actor Jeremy Slate), interned for BNC PR and GolinHarris and became a founding partner of Velocity Management where I continue to focus a majority of my time as a literary manager and producer.  My business card may say literary manager and producer, but I’m a publicist at heart trying to advance clients’ careers and the projects I am working on.

Mopwater: Describe a typical workday including your work hours. What do you do all day? GT: On average I work 12-hour days and typically begin around 10:00 AM.  Daily tasks can vary greatly, depending on whom I am working with and what I am working on, but have been known to include: reading scripts and books, giving notes, writing press releases, meeting with clients, pitching stories to reporters, tweeting for clients, rolling calls and drafting deal memos.

Mopwater: Describe your office setting and workplace. GT: I have a home office and my iPhone permits me to get a lot done while on the move around the city.

Mopwater: What are your favorite and least favorite PR tasks and why? Do you love to pitch? Dread writing releases? Adore blogging for your brands? GT: I love everything about media relations from writing press releases and developing media lists to pitching the story to reporters, because it all requires a lot of creativity!  I also really enjoy micro-blogging, but I have not gotten into long-form blogging as of yet.

Mopwater: Who are some of your clients, and what kind of projects do you take on for these clients? GT: As a literary manager I work primarily with writers such as Science Fiction Author Ben Bova and as a producer I have been developing film and television projects that include the feature adaptation of John Grisham’s bestseller The Partner and the miniseries adaptation of Gary Jennings’ bestseller Aztec with Mexican-born director Alfonso Arau.  On the literary management side for Ben, I established and maintain his online presence through Facebook and on the producing side I pitch and secure media coverage in various trade publications and online sites for individual projects when appropriate.

Mopwater: Describe a recent project where you produced results of which you’re really proud. GT: In August 2009, I drafted a press release and pitched an exclusive story to The Hollywood Reporter about Aztec and secured my first front-page placement!

Mopwater: Do you think you’ll be in this position in 5 years? GT: I don’t have a crystal ball, but I can say that in 5 years I will be in a position that allows me to be a risk-taker, creative and rewarded for my accomplishments.

Mopwater: What aspect of the industry are you most excited about? GT: Social media, because it has greatly reduced the gatekeepers’ power over what news and information gets distributed to the masses.

Mopwater: If you could work on any dream project of your choosing, what would it be?   GT: As a producer I would love to produce a feature adaptation of Andrew Lloyd Weber’s musical Sunset Boulevard.  As a publicist I would love to work with The Walt Disney Company someday.

Mopwater: What if anything would you have done differently in your career up to this point and what advice would you give someone who is trying to break into your field?  GT: The biggest piece of advice I would give to anyone trying to break into entertainment would be to take risks and to never give up.

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Posted in Test Drive My Job1 Comment

From Education Reporter to PR Pro::Test Drive My Job Chandra Hayslett

IMG_1766Chandra M. Hayslett, 34

Somerset, NJ

Hayslett Media Consulting

Twitter: @cmhayslett

Mopwater: Describe your path to PR. How did you wind up in this field? CH: After spending 11 years as a daily newspaper reporter covering education, my paper [the New Jersey Star Ledger] offered a pretty lucrative buyout. With newspapers laying off reporters and closing, I saw the writing on the wall and took the money and ran! But before I left, I called my contacts and sources to let them know I was leaving and I was available for freelance work. About a month after I left the paper, a former contact called to inform me that his non-profit agency was looking for someone to do public relations work and Hayslett Media Consulting was born.

Mopwater: Describe a pivotal moment in your career. Did you have a mentor or internship that really solidified your interest in this field or helped you hone in on a specific focus area? CH: I accidentally fell into journalism and the same thing happened with public relations. I didn’t leave the paper to start a PR firm, but accidentally fell into it. But it was a natural transition from journalism to PR because of my extensive knowledge of how the media works.

Mopwater: Describe a typical workday including your work hours. What do you do all day? Describe your office setting and workplace. CH: I work from home for now. It’s a love-hate relationship because some days, I work very odd hours. I may be writing a press release at 10 p.m., after starting my day at 8 a.m. My average day ranges from interviewing subjects to write press releases for clients, pitching the releases and following up with the media. I also spend part of my day improving my marketing skills. I’ve never taken a marketing class, but public relations and marketing go hand-in-hand and some of my clients have more marketing than PR needs.

Mopwater: What are your favorite and least favorite PR tasks? CH: Even though my firm has a 95 percent media-placement rating, I don’t enjoy pitching stories. I remember as a reporter getting those dreaded calls from folks in PR trying to get me to write about their story or non-story. Now, I’m on the other side of the fence, but the difference is that I know exactly what the media is looking for. But sometimes the client wants you to write a release about something that’s not newsworthy. It’s hard to pitch those releases.

Mopwater: How do you handle this conundrum? CH: When faced with pitching a story that’s not really a story, I always tell the client that the media will probably not be interested in picking up the release. But I  try to look for ways to spice up the release. One of my clients’ job was to promote new businesses in town, but the largest paper in NJ didn’t cover grand openings or ground-breakings. So I would look for something that made the story news – is this the first bookstore opening in town? Is it a gym operating in an art studio? [I would try to find] something to make it more than just a grand opening. I was never told not to write the release because the story wasn’t newsworthy [because] most of my clients have a news and events section on their websites, so they would just post the press release on their website.

Mopwater: Who are some of your  clients, and what kind of projects do you take on for these clients? CH: I have five clients and they are either non-profits or small businesses. They range from Main Street Highland Park to Middlesex County College to BKW Solutions Group. With each of these clients, I provide media and marketing consulting and PR work.

Mopwater: Describe a recent project where you produced results of which you’re really proud. CH: In December, I wrote all of the copy for Middlesex County College’s Annual Report. My last five years as a reporter were spent covering education, which I really enjoyed. This project allowed me to write about a topic that I’m passionate about. I have a good relationship with Middlesex County College and believe I will continue to work on their annual reports in the years to come.

Mopwater: What aspect of the industry are you most excited about? CH: Definitely, social networking! Between Twitter, FaceBook and LinkedIn, marketing opportunities are endless.

Mopwater: If you could work on any dream project of your choosing, what would it be? I love fashion and would love to attract some fashion designers or boutique owners for clients.

Mopwater: What if anything would you have done differently in your career up to this point and what advice would you give someone who is trying to break into your field? CH: A year in, I still don’t have a website. It’s a tool that is desperately needed. Advice for someone trying to break into PR: get a website sooner than later and network, network, network.

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Posted in Test Drive My Job0 Comments

Social Media : the Journalist’s Wonder Drug

Like everyone else, journalists are using social media to multitask, carry on multiple conversations and be in more place at one time. Of course this ends up meaning they are able to communicate with more potential sources than ever before. The limitations of communication are (almost) removed, creating a hyper-journalism. Kinda like journalism on steroids.

PR pros consider these limitless pathways to communication in a pitching context of course, but it’s nice to know that journalists think of it that way as well. Thanks goes to DC Social Media Examiner Mary Fletcher Jones for capturing this great footage at Twitch! Public Relations in the Age of Social Media, the panel hosted by Mopwater on Thursday evening.  In the clip, Washington Business Journal reporter Jennifer Nycz-Conner discusses how reporting, aided by social media, is akin to cooking on a restaurant range as opposed to on your standard kitchen stove.

[Other #TwitchDC panelists included Jim Long of NBC (@newmediajim), McLean Robbins of Washingtonian Magazine (@deacondoesdc), Jamila Bey of NPR (@jbey), Arthur Delaney of Huffington Post (arthurdelaneyhp) Lindsey Mastis of WUSA9 (lindseymastis)]

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Posted in How to Pitch : Getting Media Coverage0 Comments

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