Archive | How to Pitch : Getting Media Coverage

How to Know When Your Organization Needs a PSA

When was the last bullhorntime you had your broadcast interrupted for an important public service announcement or PSA? When was the last time you did the interrupting- either for your own cause or on behalf of a client? If you are doing public relations outreach especially for a non-profit organization, public service announcements when done right, can be a great way to spread the word about your cause.

I spoke to Dan Lyons, an expert in PSA production, to get insight on how to create a PSA and when. His firm has created award-winning PSAs for national non-profits, federal agencies and trade associations. Here Dan shares his experience with PSAs.

Mopwater: What is a radio PSA and who needs one? DL: A PSA or public service announcement is a tool to generate awareness, educate the public about important issues, and encourage positive behavior. In our case, the platform for these messages is radio, so our PSAs are geared to engage radio listeners.
Radio PSAs tackle a variety of topics, including consumer safety, education, health, environment, family, etc.  They’re an ideal communications tool for non-profit organizations, trade associations or federal agencies that are striving to reach core audiences with key information and raise awareness for a cause.

Mopwater: What considerations should an organization or company make before developing a radio PSA campaign? Should they hire a professional copywriter or voiceover? DL: If an organization chooses to develop and produce a radio PSA on their own, there are several factors to keep in mind. First off, they need to be mindful about their intended audience—are you trying to reach a certain demographic, a certain region, or are you creating for general appeal.

Next, while the overall concept of a PSA campaign can be utilized across a variety of media platforms, radio PSAs need to be created for the ear.  With radio, you don’t have visuals to capture the attention of your intended audience. You must capture the listeners’ attention, set the tone, and provide a reason to keep listening within the first 5-10 seconds of a PSA. This can be accomplished with a strong script, distinct voices, various music beds or sound effects. For example, one of our PSAs begins with a middle-aged man with obvious angst in his voice stating, “My son was drinking too much…” accompanied by dramatic music. Instantly, the scene is set. On the opposite side of the spectrum, one of our PSAs features the sound effect of a toilet flushing in the first few seconds (nobody said writing PSAs couldn’t be fun.) Very different approach, similar results. Both PSAs have educated listeners and received thousands of airplays on radio stations around the country.

Radio PSAs must be broadcast quality, top-notch productions, and ready for air. Professional voicetalent is highly recommended. Unless you have a recognizable voice (aka celebrity or public official) or someone within your organization with a “voice for radio,” professional voice talent can lend instant credibility to your PSA campaign. Copywriters can also be helpful, and if you attempt on your own, you need ensure that you’re “writing for radio.”

Other radio PSA tips–PSAs should be evergreen, and scripted so they are relevant for a period of at least several months.  Offer different timed versions of your PSA, the most common being :60 seconds and :30 seconds. Provide scripts of you PSA for live DJ reads and offer PSAs with a “donut” where stations can add their own local information.

Mopwater:
Do you have any statistics about responses to radio PSAs? How do you know that they’re effective? DL: On average, our national radio PSA campaigns receive airplay in over 100 markets around the country, and reach millions of listeners. Radio reaches 90% of the U.S. population 12 and older each week, and 4-out-of-5 adults listen to the radio in their car each week. Radio PSAs are a cost-effective and high-impact tool to reach out to these listeners and motivate them to take action.

For many of our PSA campaigns, as soon as it begins to air, our clients begin to see spikes in their website traffic, and an increase in calls if a toll free number is provided.
However, the impact of certain types of PSAs can be harder to measure because they encourage an on-going change in behavior, as such is the case with our PSAs encouraging designated drivers. But we do know that as drunk driving fatalities decline, our PSAs are playing a part. I always like to think that if a PSA stops just one person from drinking and driving, and saves a life, it’s effective and worthwhile.

Further, online radio listenership is at an all-time high, one in five Americans aged 25- to 54- years-old listen to online radio on a weekly basis. This greatly benefits our campaign because PSAs are often used in heavy rotation on radio station online streams.

Mopwater: In your experience, what characteristics make for a really effective radio PSA? DL: Here’s part of the reason I’m passionate about PSA campaigns, and really enjoy working with the Lyons PR team on creating them. There are no strict rules or guidelines for what constitutes an effective PSA. Successful PSAs can be straight reads with no music beds or sound effects, while others are mutli-track productions, heavy on both. Above all, an effective radio PSA will clearly communicate a message or cause, and successfully educate listeners and prompt action.

One of our most successful PSA campaigns aired over 37,000 times around the country and earned us a PRSA Bronze Anvil award. It was also the most unconventional PSA we have ever produced. In homage to the classic movie trailer, we produced a radio PSA complete with the “deep voiced movie trailer guy” and the dramatic choral music. The subject was tire safety, but presented in this manner, it effectively engaged the listener and prompted positive behavior, in this case, checking tire pressure.

Mopwater: If a company is in the middle of a communications crisis, for example the recent Toyota recall, is that a good time to produce and run a radio PSA campaign? DL: PSAs need to be totally non-commercial, so it wouldn’t be an outreach tool a company would use for crisis communications.  To effectively integrate radio into corporate crisis communications outreach, radio media tours or radio news releases are the best way to disseminate information quickly and get a spokesperson on the air.

Mopwater: What is the ultimate goal of a PSA? DL: The goal of a PSA is to influence positive behavior, educate listeners about important issues or a cause, and stimulate action. Ultimately, a PSA can be the first step in engaging listeners to take action, whether it’s changing behavior in their every day life or visiting a website to learn more about a cause.

Mopwater:
In what instances should an organization NOT do a PSA? DL: If you’re trying to sell something or promote a brand—do not do a PSA. This would be a waste of time and money, and stations will not air.  And if you need the information to air quickly, for a very limited amount of time, a PSA would not be the right tool.

Dan Lyons in Founder and CEO of Lyons PR, a public relations firm based in Kensington, MD right outside of Washington, DC.

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Social Media : the Journalist’s Wonder Drug

Like everyone else, journalists are using social media to multitask, carry on multiple conversations and be in more place at one time. Of course this ends up meaning they are able to communicate with more potential sources than ever before. The limitations of communication are (almost) removed, creating a hyper-journalism. Kinda like journalism on steroids.

PR pros consider these limitless pathways to communication in a pitching context of course, but it’s nice to know that journalists think of it that way as well. Thanks goes to DC Social Media Examiner Mary Fletcher Jones for capturing this great footage at Twitch! Public Relations in the Age of Social Media, the panel hosted by Mopwater on Thursday evening.  In the clip, Washington Business Journal reporter Jennifer Nycz-Conner discusses how reporting, aided by social media, is akin to cooking on a restaurant range as opposed to on your standard kitchen stove.

[Other #TwitchDC panelists included Jim Long of NBC (@newmediajim), McLean Robbins of Washingtonian Magazine (@deacondoesdc), Jamila Bey of NPR (@jbey), Arthur Delaney of Huffington Post (arthurdelaneyhp) Lindsey Mastis of WUSA9 (lindseymastis)]

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HuffPost Reporter on Social Media Pitching : IM, FB Ping, @Me

8949Ryan Grim, Senior Congressional Correspondent for the Huffington Post and author of the 2009 Wiley release “This is Your Country on Drugs” was billed as one of 6 speakers for Mopwater PR + Media Notes’ first PR. 2.0 panel  Twitch! Public Relations in the Age of Social Media on Thursday night in Washington, but ended up canceling last minute due to an emergency.

A journalistic emergency?

Not quite. Turns out, it was Grim’s third wedding anniversary, which he obviously could not skip.

Grim sent fellow Huffington Post reporter Arthur Delaney in his stead, and to avoid becoming an official Twitch Ditch, he also sent these responses via email to my questions about his use of social media during his reporting and sourcing.

Mopwater: How has social media changed how you do your job?
RG: The biggest shift I’ve seen is toward IM [instant message], both on Facebook, blackberries, gchat or plain old AIM. People seem more relaxed on IM. So build an IM relationship with a reporter.

Mopwater: How do you use social media to find sources for your stories?

RG: LinkedIn has been an enormous help and is a great way to find people online, as is Facebook. If you want reporters to be able to reach you, make those accounts as public as possible and have a phone number easy to find.

Here’s my broad point: The PR people who are successful for me are the ones who can get through. Getting through is a function of staying ahead of the stream of communication that rushes our way. Once, emailing a reporter was the way to do that, but the inbox now is so stuffed it’ll just get buried. There will continuously be new ways to stay ahead, though. Facebook chatting is a good and underused way now. Some reporters might get annoyed at getting a FB ping from a PR flak, but whatever. It’s not your job to make us happy, just to get our attention. A direct Twitter message would get through, too, as would a tweet with my handle in it. Reporters are always out there looking to see what people are tweeting or writing about their work, so you can trap us that way.


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Pitching 2.0: Learn How to Reach Journalists Using Social Media at Twitch!

twitter-bird-press-hatYou haven’t heard from me in a while because I have been working day and night putting together the very first Mopwater PR + Media Notes Panel, and it promises to be amazing. If you’re in the Washington, DC area, you won’t want to miss it. If you’re not, hopefully we can do some sort of recap for those of you who could not attend.

If you manage the public’s perception of your company or are concerned with increasing your organization’s media exposure in 2010, you will want to attend Twitch! Public Relations in the Age of Social Media. If you are like 80% of PR professionals who participated in the VOCUS fall survey on PR planning for 2010, you will be focusing more on social media this year. And if you are working in the nonprofit world, you probably can relate to the 85% of nonprofit executives polled by Weber Shandwick who say social media will be demanding a larger share of nonprofit spending dollars in 2010. But how do you harness the power of social media to get traditional media coverage? How do you embark upon, what I like to call, “social media relations?”

Find out how at Twitch! This event will feature a panel of working journalists who use social media daily to interact with PR professionals, communicators and the public. Think of this event as a “How to Pitch 2.0 Workshop.” Come with your questions about how to effectively use social media to land traditional media coverage. Learn how journalists are accepting pitches and twitches via twitter and Facebook, what they like and what they hate. Do some networking and  workshop the idea of social media relations.

Twitch! Public Relations in the Age of Social Media
Thursday, Jan 14, 2010
Busboys and Poets Langston Room
2021 14th Street, NW
Washington, DC 20009
Cost: $20
Note: Space is limited. We can’t accept payment on-site. You must register online through Eventbrite.

Register Online

Panel

Moderator:
Jim Long, NBC Universal / Verge New Media, LLC (@newmediajim)

Panelists:
Jennifer Nycz-Conner, Washington Business Journal (@jenconner)

Lindsey Mastis, WUSA News Channel 9 (@lindseymastis)

Ryan Grim, Huffington Post / Author of “This Is Your Country on Drugs.” (@ryangrim)

Jamila Bey, National Public Radio and WAMU (@jbey)

McLean Robbins, Washingtonian and DC Modern Luxury Magazines (@deacondoesdc)

Organizer:
Amanda Miller Littlejohn, Miller Littlejohn Media Group / Mopwater PR + Media Notes / Author of “The Mopwater PR + Media Notes Manual for a Stellar PR Career” (@amandamogul)

Other fun stuff:

RSVP on LinkedIn

RSVP on Facebook

Join the Mopwater Facebook Fan Page

When referencing the event, before during and after, please use the #TwitchDC hashtag on Twitter.

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Media Shuffle: “Situation Room” Producer to Good Morning America; Good Morning America Producer to the Weather Channel, etc.

2156870844_7606f52748Situation Room Producer Leaves CNN for Good Morning America

Eric Sherling has joined ABC’s Good Morning America as a producer. He comes from CNN, where he served as executive producer of The Situation Room with Wolf Blitzer since 2006. He had been with CNN since 2000. For additional information, call 212-456-0600.

Related: Good Morning America Producer Moves to The Weather Channel

Ted Winner has been named senior executive producer of morning programming at The Weather Channel. He most recently served as a senior producer for Good Morning America, a position he began in 2004. He will begin his duties later this month. For more information, contact 770-226-0000.

Changes afoot at CNN/Cable News Network. Mark Nelson, who had served as vice president and senior executive producer for editorial since 2004, is exiting the company. Meanwhile, Scott Matthews has taken over as director of programming for CNN Productions-Investigations, a newly-combined unit. Due to this change, executive director of CNN Productions, Jody Gottlieb, is also leaving the network. To learn more, call 404-827-1500.

Salon.com News Editor to Join ABC News in December

Former Salon.com executive news editor Mark Schone will join ABC News in December. He will serve as a contributor for the station’s investigative unit and managing editor of its news site Blotter under chief investigative correspondent Brian Ross, 214-456-7612. Schone had been with Salon.com since 2006, and has contributed to a number of publications, including SPIN, Wired and the The New York Times. For more information, contact 212-456-7777.

Forbes Reporter Heads to Big Think

Maurna Desmond, 212-242-0615, has left her position as a reporter for Forbes and joined Big Think as an associate editor. Big Think provides interviews with leading minds in various fields, including media, religion and politics. For more details, call Forbes at 212-620-2200 and Big Think at 212-242-0617.

Hartford Business Journal Editor for Patch

The Hartford Business Journal is losing an editor. John Ferraro is exiting the magazine in order to join Patch on Nov. 16 as editor for the Connecticut community news sites. Diane Weaver Dunne is serving as interim editor for the Hartford Business Journal until a replacement is named. For more information, call the Hartford Business Journal at 860-236-9998 or visit www.patch.com.

Washington Times WH Reporter Leaves for  Daily Caller

Jon Ward has left his position as White House correspondent for The Washington Times and joined the staff of The Daily Caller as a senior political correspondent. Along with Ward’s departure, the Times-hosted blog POTUS Notes will no longer be updated, although a new blog covering similar topics may debut on the site when the paper hires a new White House correspondent. For more information, visit http://www.dailycaller.com, or call The Washington Times at 202-636-3000.

New digital program director at Clear Channel

Richard McLaughlin has joined Clear Channel’s New York cluster as digital program director. The cluster includes WALK-FM, WAXQ-FM, WHTZ-FM, WKTU-FM, WLTW-FM and WWPR-FM. McLaughlin had previously served as the content director for WFUV-FM. For more information, contact 212-377-7900.

Dunn promoted at CBS Television Network

Peter Dunn has been promoted to president of the CBS Television Network. In his new role, Dunn will oversee operations for the 29 station portfolio that CBS Television Network currently owns. He will also continue serving as president and general manager of WCBS-TV, where he has served since November 2005. For more information, contact 212-975-4321.

Drobnyk leaves Tribune Washington News Bureau

Josh Drobnyk has left the Tribune Washington News Bureau where he had served as a Washington correspondent for The Morning Call and wrote for the Pennsylvania Ave. blog. A replacement has yet to be named. For more information, contact 202-824-8200.

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Media Shuffle : New “Larry King Live” Booker, New WUSA News Director and more

2156870844_7606f52748

With so many journalists, editors and producers facing layoffs, relocations and career changes, it can be almost impossible to keep up with their comings and going. Here are a few updates you can make to your media databases. Hope you find at least one piece of information on this list helpful.

Larry King Live Senior Producer Leaves

Mercedes Torres has left her position as senior producer and book contact at Larry King Live. She had been with the show since July 1999. Producer Lisa Thompson, 202-898-7667, will take on her duties securing interviews with book authors in place of Torres. For additional information, call 202-898-7690.

DC’s WUSA-TV Names News Director from Midwest

Fred D’Ambrosi has joined the CBS affiliate WUSA-TV in Washington, D.C., as the station’s news director. He most recently served as the news director at Midwest Television Inc. since 1997. For additional information, call 202-895-5999.

New Publisher at Parade

Brett Wilson has been announced as the new publisher at Parade. Wilson was most recently the senior vice president of advertising sales at USA Today. Parade is a weekly supplement to Sunday newspapers with a circulation of 32 million. For more information, contact 212-450-7000.

NPR Loses Longtime Producer, Interim Exec. Producer Takes Over

Veteran producer Greg Peppers has left his post as executive producer for the Newscast Unit at NPR. He had been with the radio network since the 1980s. With his departure, supervising senior producer Dave Pignanelli will take over as interim executive producer until a replacement is named. For additional details, call 202-513-2000.

WNJU-TV Names Former Telemundo Director VP of Content

WNJU-TV has named Jose Morales vice president of content. In this new position, he will oversee the news department, creative services and all digital platforms for the station. Morales previously served as the director of digital content at Telemundo Local Media. For more information, contact 201-969-4247.

WRC-TV Reporter to Leave NBC Affiliate in DC

WRC-TV reporter Michael Flynn is set to leave the Washington station by the mid-November. He has served as a general assignment reporter for the NBC Television Network affiliate since 2004. A replacement has yet to be named.  For more information, contact 202-885-4000.

The Oregonian Names New Publisher

The Oregonian has named N. Christian Anderson III as its new publisher. He previously served as the publisher and CEO of The Orange County Register in Santa Ana, Calif. from 1999 to 2007. For more information, contact 503-221-8327.

New Evening Anchor at WTXF-TV in Philadelphia

Dawn Stensland has left WTXF-TV in Philadelphia. She had served as the anchor for the Ten O’Clock News. Kerri-Lee Halkett, 215-925-7169, has taken over the 10pm anchor spot. She can be found on Twitter at http://twitter.com/KerriLeeHalkett and WTXF-TV can be found at http://twitter.com/fox29. For additional information, contact 215-925-2929.

New Local Lifestyle Broadcast Debuts in Chicago  on WCIU-TV

You & Me This Morning recently made its debut on WCIU-TV in Chicago. The new program features news and information segments with emphasis on local lifestyle and entertainment. The show is hosted by Jeanne Sparrow and airs Monday through Friday from 6am to 9am. WCIU-TV can be found on Twitter at http://twitter.com/wciu. For more information, contact 312-705-2600.

Ibanez promoted at Telemundo

Adriana Ibanez has been promoted to executive vice president of programming for the Spanish-language broadcast network Telemundo. In her new role, she will be responsible for programming strategy, scheduling, integration direction and film acquisitions. Ibanez had previously served as a senior vice president of programming since April 2007.  For more information, contact 305-884-8200.

New Nighttime Assignment Editor at KATU-TV in Portland

Portland, Ore., station KATU-TV has welcomed Nick Bradshaw as a nighttime news assignment editor, where he is responsible for story assignment and crew allocation. He previously served in the same position at Portland’s NBC affiliate KGW-TV. For further information, call 503-231-4222.

Washington Examiner Gets Editorial Writer

Mark Hemingway has joined the Washington D.C. daily Washington Examiner as an editorial page writer. He comes from the conservative magazine National Review, where he worked since 2007. For additional information, call 202-903-2000.

Reporter, anchor out at WSOC in Charlotte

Ben Thompson is no longer with WSOC-TV as a reporter and weekend anchor. He had been with the Charlotte, N.C., station since October 2006 and at this time, no replacement reporter and weekend anchor have been named. For more information, call 704-338-9999.

News director boards KXLN-TV in Houston, Interim Named at KUVS-TV in Sacramento

Isabel Gonzalez joined KXLN-TV on Nov. 2 as news director. She joins the Houston-based Univision affiliate from KUVS-TV in Sacramento, Calif., where she had also served as news director. Uriel Posada, 916-927-1963, will be the interim news director at KUVS-TV until a replacement is named. Contact KXLN-TV at 713-965-2400 or KUVS-TV at 916-927-1900 for further information.

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