Eleventh Hour Requests: Turn it down or turn it around?
Ah the constant considerations and mental multi-tasking that make up the ever-evolving job description of the public relations professional. We’re the unofficial keeper of the company brand. The assessor of image and public sentiment. But we also keep up with the daily duties that must be made systematic; the tasks that without our thinking must become second nature, commonplace, routine.
Long-range and short range pitching and planning. Searching for angles, securing opportunities for spokespersons, leveraging excitement around campaigns/seasons/holidays. The list goes on. Yet all of these tasks fit neatly into a package that clients and the public will eventually see as a finished, polished product.
But how do we get there? And how do we handle those eleventh hour requests from would-be clients who think it’s so easy to get there?
How many times have you been approached by an amazing potential client with an amazing story or an amazing product for which you could create an amazing pitch except this would-be client gave you absolutely no time to do your job? As in, one week to pull off a campaign? Or better yet two days? [Yes, this has happened to me.]
While this may fly at a large agency that has minions working around the clock, you may be dealing with 2-3 people max when you are working with a smaller firm. As PRos, we have to ask for, no, we have to demand time. And this may mean explaining that hey, when you work with a smaller firm you’re not dealing with layers of bureaucracy, or dozens of junior staff members. You’re dealing with a greater attention to detail, a higher level of customer service, and of course a lower overhead.
Don’t be ashamed to turn down a project because there isn’t enough time to turn it around. Believe it or not, just because you are a public relations pro, doesn’t make you a magician. As with anything else, it takes time to do a thorough job and produce professional results. Clients expect nothing less than that from you. Demand that same level of professionalism from your clients.
CNN correspondent Joe Johns offers what could be a case study in bad PR, and a cautionary tale for all of us. Johns tells the story of an unfortunate PR person who pitched the top of the CNN food chain (the producer) instead of involving the corresponding reporter directly.
This morning I attended the PRSA National Capital Chapter’s panel in Washington, DC: How to Get Big Media Hits in a Social Media World. Joe Johns, a correspondent for CNN, gave this great synopsis of how he uses Facebook to get information for his stories. While he loves Facebook, he’s not such a big a fan of Twitter. So the lesson here is, know your journalists’ tastes.
Find out how to use hashtags to promote your event, connect with influencers before your event, manage your hashtag during the event, use Twitter and other tools to stream your event live, and how to reward active hashtag users after the event.
Name and News Organization: Kate Michael, KStreetKate.net and The District Dish Beat: DC topics (People, places, events, charities, businesses) Job Title: New Media Personality Length of Time in this Role: 3 years Web Site and/or Blog: K Street Kate/ The District Dish Twitter Handle:@kstreetkate
Mopwater: What kind of stories/people/companies are you most interested in covering, and in what context? KM: Both the online magazine and talk show feature the best of DC, lifestyle stories that highlight the real District of Columbia and its eclectic neighborhoods.
Mopwater: What’s the best pitch you’ve gotten recently and why? KM: A unique and interesting business (trapeze school) moved into the area and featured lessons with the instructor who taught “Carrie” on the trapeze episode of Sex and the City. We booked him immediately to tell people about the trapeze school on The District Dish!
Mopwater: What’s the worst pitch you’ve gotten recently and why? KM: The sister of a local woman asked me to do a feature on her because she was “so nice” and “people should know about her”… I’m not sure why.
Mopwater: What’s the easiest way to get ignored by you when pitching? KM: Forget to take out the name of the other publication you were pitching when you were cutting and pasting your pitch.
Mopwater: What’s your preferred method of contact? Phone, email, your web site, your twitter account, your Facebook? KM: Email and twitter, equally. My actual e-mail is listed on my facebook page, so why use a facebook message?? Read the full story
Traditional media outlets are, sadly, a thing of a bygone era. It has become almost an improbable proposition to start and sustain a pricey print publication, or an expensive-to-produce television show. Journalism is evolving, some would say dying; and we have not hit rock bottom yet.
With the number of major news organizations downsizing and/or folding altogether, public relations professionals have to begin to develop a stronger roster of new media contacts to get their clients’ stories told. As a PR2.0 professional, I am always on the lookout for the New Influencers: professional bloggers (many with journalism backgrounds), freelance writers who write for both the Web and print publications, and new media producers.
Though media database services like Cision and Vocus are great tools that still very much have their place, scrappy PR2.0 professionals realized long ago that Facebook, Linkedin and Twitter have made it much easier to find and connect with journalists. In the same democratizing way,YouTube, Vimeo and other free video sharing sites have destroyed the barrier between the would-be television producer and the audience, and Wordpress and Blogger made it possible for anyone with content to easily publish that content on the Web. Producers don’t need tons of money or the backing of major networks to get a show up and running: all they need is a camera, a YouTube account and a great story to tell.
Eleventh Hour Requests: Turn it down or turn it around?
