Not quite. Turns out, it was Grim’s third wedding anniversary, which he obviously could not skip.
Grim sent fellow Huffington Post reporter Arthur Delaney in his stead, and to avoid becoming an official Twitch Ditch, he also sent these responses via email to my questions about his use of social media during his reporting and sourcing.
Mopwater: How has social media changed how you do your job? RG: The biggest shift I’ve seen is toward IM [instant message], both on Facebook, blackberries, gchat or plain old AIM. People seem more relaxed on IM. So build an IM relationship with a reporter.
Mopwater: How do you use social media to find sources for your stories?
RG: LinkedIn has been an enormous help and is a great way to find people online, as is Facebook. If you want reporters to be able to reach you, make those accounts as public as possible and have a phone number easy to find.
Here’s my broad point: The PR people who are successful for me are the ones who can get through. Getting through is a function of staying ahead of the stream of communication that rushes our way. Once, emailing a reporter was the way to do that, but the inbox now is so stuffed it’ll just get buried. There will continuously be new ways to stay ahead, though. Facebook chatting is a good and underused way now. Some reporters might get annoyed at getting a FB ping from a PR flak, but whatever. It’s not your job to make us happy, just to get our attention. A direct Twitter message would get through, too, as would a tweet with my handle in it. Reporters are always out there looking to see what people are tweeting or writing about their work, so you can trap us that way.
Zackery Moore, 23 Birmingham, AL
Media and Brand Strategist, 4 years
Z Kreativ Media Blog:Making a PRofessionalTwitter: @zakmo
Mopwater: Describe your path to PR. Any pivotal moments mentors or internships that let you know PR was for you? ZM: I’m a media fanatic that grew-up in Arley, Alabama, a town in the middle of nowhere. Never someone that was especially patient (I tried to skip my senior year of high school just to start college early), I sought out a PR internship during my freshman year of college at the University of Alabama at Birmingham.
I found a mentor and interned at a music/event venue and bar. That would be the first of four internships. Later I interned with my mentor at a custom motorcycle
shop that creates limited-addition motorcycles. Tom Cruise owns one of the bikes and one of the models was featured in a movie with Jet Li and a commercial with Brad Pitt.
I started my freelance career that same year with an innovative theater group called MUSE OF FIRE: Shakespeare at Sloss. The group turned nontraditional spaces into stages; MUSE OF FIRE specifically used a haunted iron furnace for now annual spring and fall showcases of adapted Shakespeare. On more than one occasion news crews’equipment would malfunction on-site. This project solidified my desire to one day own an agency. I’d already decided I wanted to work for myself.
While looking for freelance projects, I worked part-time in a restaurant, focused on finishing my degree and completed internships (some for school credit, some for the experience).
Mopwater: Describe your office setting and a typical workday including your work hours. What do you do all day? ZM: Usually my workday begins at 9. Freelancing gives me a lot of freedom to create my own schedule. Sometimes I work a couple hours a day, sometimes I work from 9 to 9. It depends on my workload. I completed my last-ever internship at a
creative branding agency called Cayenne Creative and still have office space with the group that I use when I want a change of scenery. They’re one of the most amazing groups of creative professionals and taught me so much about branding and the importance of strategy.
Mopwater: Who are some of your and what kind of projects do you take on for these clients? ZM: My past clients include MUSE OF FIRE, Broadway Across America – Birmingham, Nick Sparks for Congress, a short stint with March of Dimes and the National Center for Sports Safety. Presently I’m working with Lemak Sports Medicine & Orthopedics and I take on occasional projects with Cayenne Creative. I’m also looking for new clients and projects to grow my business.
I like to say I’m a creative media strategist; that means I use traditional and new media to help an organization brand itself. Copywriting, media relations, email marketing, writing for the web and branding strategy are the services I offer.
Mopwater: Describe a recent project where you produced results of which you’re really proud. ZM: The results of my last project included increased website traffic for three months in a row and media coverage from local media and mom bloggers. It was a 6- month project. With Lemak Sports Medicine and Orthopedics I’ve led a team in creating a new logo for the brand, a social network about health and wellness, two branded-email designs and I’m working with a designer to create a new
brochure for the practice.
Mopwater: What are your favorite and least favorite PR/marketing/SM tasks and why? ZM: My favorite part of my job is writing. I love copywriting for email and websites/blogs. I also really love to write press releases and pitch news stories.
Mopwater: What’s the worst part of your job? ZM: The worst part of my job is uncertainty. As a freelancer I’m responsible for every part of most projects: traffic, planning, creative direction, execution and deadlines. It leaves little time for business development. That’s why I’m about to start a search for a business development pro.
Mopwater: What advice would you give someone who is trying to break into your field? ZM: My advice is don’t wait. My college experience has changed me for the better, but I’m not going to let a piece of paper define my talent, creativity and professionalism. Don’t let [graduation] hold you back. I’m still in college (a 5th year senior) but I’ve started my career when some of my friends who recently graduated are still struggling to find a job.
The ability to create a sound strategy to promote an event, person, product or cause lies at the core of our profession. That means making judgment calls about what medium or combination of media to use when crafting a good pitch. Increasingly, spreading the word and generating buzz requires a multitiered, multifaceted and multimedia approach. In addition to the original channels of media, we must continue to push the envelope and learn creative ways to attract attention and engender the compassion of our target audience-whether they are reporters at the Wall Street Journal or consumers.
This video for Share Our Strength is a great and inspiring example of this outside-of-the-box thinking. Created by the genius creative minds at Washington, DC-based iStrategyLabs, the video is beautifully scripted and animated. And what’s more, it’s scored with original music. Can you imagine sending this thing to a journalist as your pitch?
I recently sat down with two of my favorite and D.C.’s best new media, social media, all things digital strategy and public relations genius wonderboys, James Walker and Peter Corbett. While the two chats occurred on two different days and in two different locales, the commentary is not surprisingly of the same vein, as great minds truly do think alike. Check out James and Peter’s thoughts on why public relations practitioners should use social media and how.
In lieu of a photograph, I snagged this recent video interview of today’s TDMJ subject Ged Carroll. This London-based PR man is the head of digital strategy for the UK office of Ruder Finn Public Relations. In the above interview with Econsultancy, Finn gives us a few social media best practices. Below in TDMJ, he tells what it’s like to work in the UK and in the digital department of a top global public relations agency.
Name: Ged Carroll, 38
Current City: London, England
Company: Ruder Finn, 40+ people UK and 600+ worldwide. Prior to this he helped found Waggener Edstrom’s digital office and worked in house at Yahoo!
Job Title: Director, Digital Strategies
Mopwater: What made you get into public relations? What do you like best about the field? GC: I got into PR through wanting to work in an agency environment following completing a degree in marketing. I had previously worked part-time marketing club nights, DJ’ing and working in the oil industry as a plant process operator. PR as a career has been good to me; I have managed to travel internationally and meet some interesting people.
Mopwater: What aspects of the industry are you currently most excited about? GC: Probably the most exciting bit about the industry at the present time is the change that it is undergoing, which I think that the recession will accelerate. This change will be structural as marketing communications disciplines mesh together and the opportunities opening up as the Gordian knot of how to measure PR is finally broken!
Mopwater: Describe a typical work day including your typical work hours. GC: There is no typical work day in digital. The other day I went from dealing with lice shampoo to semiconductors in the space of half an hour. My role involves doing web research, conducting online outreach, designing online campaigns, working with internal designers, developers and third parties to build websites, providing advice to teams and clients, running external training programmes and speaking at conferences. Sometimes it can be long hours, but on the up side the firm is pretty flexible and efforts are appreciated. Read the full story
CNN correspondent Joe Johns offers what could be a case study in bad PR, and a cautionary tale for all of us. Johns tells the story of an unfortunate PR person who pitched the top of the CNN food chain (the producer) instead of involving the corresponding reporter directly.
Ryan Grim, Senior Congressional Correspondent for the Huffington Post and author of the 2009 Wiley release “This is Your Country on Drugs” was billed as one of 6 speakers for Mopwater PR + Media Notes’ first PR. 2.0 panel Twitch! Public Relations in the Age of Social Media on Thursday night in Washington, but ended up canceling last minute due to an emergency.
