Like everyone else, journalists are using social media to multitask, carry on multiple conversations and be in more place at one time. Of course this ends up meaning they are able to communicate with more potential sources than ever before. The limitations of communication are (almost) removed, creating a hyper-journalism. Kinda like journalism on steroids.
PR pros consider these limitless pathways to communication in a pitching context of course, but it’s nice to know that journalists think of it that way as well. Thanks goes to DC Social Media Examiner Mary Fletcher Jones for capturing this great footage at Twitch! Public Relations in the Age of Social Media, the panel hosted by Mopwater on Thursday evening. In the clip, Washington Business Journal reporter Jennifer Nycz-Conner discusses how reporting, aided by social media, is akin to cooking on a restaurant range as opposed to on your standard kitchen stove.
[Other #TwitchDC panelists included Jim Long of NBC (@newmediajim), McLean Robbins of Washingtonian Magazine (@deacondoesdc), Jamila Bey of NPR (@jbey), Arthur Delaney of Huffington Post (arthurdelaneyhp) Lindsey Mastis of WUSA9 (lindseymastis)]
Find out how to use hashtags to promote your event, connect with influencers before your event, manage your hashtag during the event, use Twitter and other tools to stream your event live, and how to reward active hashtag users after the event.
Traditional media outlets are, sadly, a thing of a bygone era. It has become almost an improbable proposition to start and sustain a pricey print publication, or an expensive-to-produce television show. Journalism is evolving, some would say dying; and we have not hit rock bottom yet.
With the number of major news organizations downsizing and/or folding altogether, public relations professionals have to begin to develop a stronger roster of new media contacts to get their clients’ stories told. As a PR2.0 professional, I am always on the lookout for the New Influencers: professional bloggers (many with journalism backgrounds), freelance writers who write for both the Web and print publications, and new media producers.
Though media database services like Cision and Vocus are great tools that still very much have their place, scrappy PR2.0 professionals realized long ago that Facebook, Linkedin and Twitter have made it much easier to find and connect with journalists. In the same democratizing way,YouTube, Vimeo and other free video sharing sites have destroyed the barrier between the would-be television producer and the audience, and WordPress and Blogger made it possible for anyone with content to easily publish that content on the Web. Producers don’t need tons of money or the backing of major networks to get a show up and running: all they need is a camera, a YouTube account and a great story to tell.
